Nathalie Emmanuel winterized the shirt gown in an edgy tackle the basic. The actress gave the shirt gown a leather-based makeover whereas at a screening of “Bridget Jones: Mad In regards to the Boy” at Soho Lodge in London.
For the event, Emmanuel wore a maxi shirt gown in buttery leather-based and accessorized with a layered chain belt by Chanel and a pair of silver hoop earrings. Emmanuel donned the leather-based shirt gown buttoned up all the way in which and accomplished her look with a pair of platform sole brogues. She additionally wore a manicure in final fall and this winter’s breakout coloration: burgundy.
Nathalie Emmanuel attends an unique screening of “Bridget Jones: Mad In regards to the Boy” with Renée Zellweger at The Soho Lodge on January 31, 2025 in London, England.
Dave Benett/Getty Pictures for British Vogue
Emmanuel was joined by the movie’s star Renée Zellweger on the occasion. Zellweger, who fits up for the fourth time as Bridget Jones within the film, additionally opted to put on a monochromatic look to the screening. The “Bridget Jones: Mad In regards to the Boy” star wore a silk trench coat gown from Dior‘s spring 2025 present, and paired it with pointed-toe pumps by Christian Louboutin and a classic David Webb ring from Maison Mèrenor.
Nathalie Emmanuel attends an unique screening of “Bridget Jones: Mad In regards to the Boy” with Renée Zellweger at The Soho Lodge on January 31, 2025 in London, England.
Dave Benett/Getty Pictures for British Vogue
Emmanuel additionally opted to put on Chanel for her Cannes Movie Competition debut final yr, which she attended whereas selling her starring function in Francis Ford Coppola’s movie “Megalopolis.” Emmanuel arrived on the Cannes purple carpet in a a customized Chanel Haute Couture robe sculptured from the style home’s signature tweed and that includes a skirt, flowing from a satin belt, that consisted of cascading petals.
The “Recreation of Thrones” star’s customized Chanel robe was impressed by a glance from the label’s fall 2022 present, and created in collaboration with Emmanuel’s stylist Jason Bolden. Emmanuel completed her look with a silver bow choker and diamond earrings.
Nathalie Emmanuel poses for a portrait earlier than the “Megalopolis” premiere in the course of the 77th Cannes Movie Competition on the Carlton on Could 16, 2024.
Michael Buckner for WWD
“It felt very basic, with the skirt being so floral and three-dimensional and a bit dainty, after which has a kind of boldness with the belt,” she instructed WWD on the time. “This type of energy felt like a little bit of duality, and I’ve a little bit of a duality with a femininity and masculinity I wish to play with.”