Megan Thee Stallion: MEGAN: ACT II Album Assessment | Jive Update

Megan Thee Stallion: MEGAN: ACT II Album Assessment


Close to the top of “Larger in Texas,” the opening observe on Megan Thee Stallion’s new deluxe album MEGAN: ACT II, the Houston famous person lets everybody know the place they will put their opinions. “At all times beggin’ me to crash out with these losers, shut up, take pleasure in this music/Y’all gon’ be taught I transfer on my time and never for none of y’all amusement,” she raps, a none-too-subtle message that she’s moved previous the noise and distractions. A lot of Megan’s ascension to the higher echelon of celeb has been imbued with The Shade Room-style nonsense, social media criticism combined with harassment, and a litany of voices making an attempt to inform her which manner is north. On ACT II, she’s again to having enjoyable.

Since her profile rose with the 2018 mixtape Tina Snow, Megan’s balancing act has manifested in a slew of full-length releases that tried to fulfill everybody, and it wasn’t at all times an ideal match. In comparison with the patchy conglomeration of types and lyrical themes on its predecessor, this July’s album MEGAN, ACT II is extra exact. Megan hones in on the magnetic bawdiness and charisma that first endeared her to followers in freestyles recorded on radio station microphones and video clips filmed in suburban Texas. The album feels spiritually aligned to her Tina Snow and One thing for Thee Hotties tapes: a inventive recentering marked by humorous, well-varnished raps that arrive with a refreshing lightness and freedom.

That isn’t to say that Megan doesn’t have smoke for others on ACT II—her model of vendetta produced a number of the finest moments from MEGAN, just like the poison-tipped “Hiss” and “Rattle.” However right here the jokes arrive with an air of superiority, not as mandatory counterpunches. “Bitch want a pen pal, can’t spit a bar/Spit your finest if you’re tryna get a nigga off,” she raps in the course of a prolonged verse on “Bourbon,” sounding utterly at peace on the sinister, stripped-down beat from frequent collaborators Bankroll Obtained It and Shawn “Supply” Jarrett. Positive, there are some corny traces ( you, “spaghetti” wordplay on “Proper Now”), however Megan’s in prime type on free, freewheeling stretches the place it feels like she’s chopping up with a few buddies. Breathlessly rattling off Jordin Sparks and Warren G references to boss herself up on “Quantity One Rule” hits all of the notes: confidence, sexuality, and safety.

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